18 June 2010

Henry Rollins, Get in the Van

Others have commented on Rollins’ “total lack of self-awareness,” but I think that this phrasing actually understates the case. Get in the Van evinces a completely shallow and near total self-absorption that is fascinating in its own right.

Here are results of the first year of touring with Black Flag: Hank’s old friends think he has become an asshole; one of them (Ian MacKaye) cries after seeing his pal transformed into a thoughtless jerk; bandmates worry that their new singer is a violent mental case; a record producer accuses Henry of ruining the band; he gets dumped by a couple of girlfriends (whom he mainly uses as vessels for his rage, calling them late at night while on tour to spew venom and vent depression); and tons of fans think he is just a dick.

Henry’s reactions:
“You just take it and keep playing. Whatever.” (90)

Or in a more introspective mood: “Fuck these people. I want to get into some fights like right now. It will be enjoyable kicking the punk dog shit out of some of these people.” (126)

Or spitting what I imagine he thinks is old-soul wisdom: “If I had a kid I would want it to be male. Maybe it would come back and kill me. Isn’t that what’s supposed to happen?” (127)
Ray Pettibon’s art on the Black Flag flyers inserted throughout the book is fascinating and disturbing; I advise readers to skip the journals and ruminate on what the fuck these images tell us about dudes, American hardcore, and 1980s suburban California.